Wednesday, July 23, 2008

Swimming pool



It was always warm in my dreams.

In this one, the sun is relentless, beating down on our faces. White styrofoam boards, yellow shoulder floats, wrinkled fingers, little red buntings, unhygienic fish balls from itinerant hawkers, the smell of chlorine; we are all kids again at the swimming pool.

It was a Sunday, I think. A little boy's memory is always hazy and inaccurate, like peering through a window pane on a rainy bus ride home from school. Yes, it should be a Sunday because that's the only time when my mother didn't have to work in the mornings for the pittance she gets. But I never made any sense of her work until I grew up. And since I'm only a kid in this one, it may or may not be a Sunday, depending on how you look at it.

On this Sunday, the pool was packed with children of all shapes and sizes (you see, in the 1980s, some parents seriously pondered the prospect of Singapore sinking as an island, and so it became a parental responsibility to induct their offspring in the arts of water treading in the event of national disaster). Some were playing with water, others on floats, while the bigger boys and girls were either doing laps up and down in their brightly colored swimming costumes or dunking their friends.

"When will I get goggles?" I asked my mother, out of the blue.

"When you pass the swimming test," she returned, her stern look unwavering.

"Why can't I get one now? Sister has one already and its not fair."

Her lips moved in reply, but all I could hear was white noise in this dream.

I looked hard at her as she straightened the hem of the swimming cap and adjusted my trunks. She's seated in front of me, her hair is black again and the skin of her arms still smooth. But because the sun is either too bright or maybe I can't remember her youthful visage anymore, I could never fully visualize the image of my mother's younger self. Like a faceless stranger lost amidst the droning crowd, the passage of time smudges our memories of people, even those dearest to us, reducing them to unreliable figments of pale white static.

My thoughts snapped with the sharp toot from the coach's whistle, as the children gathered around that tanned body dressed only in skimpy shorts and ray-bans. In the distance, protective parents sip tea in the shade, fanning away the heat as they thumb through their novels and newspapers, occasionally lifting their heads to check on their children.

"Now go," she said with a quick pat on my head.

With that, I sprang around and leapt into the shimmering pool. My body feels light once again, and the calm water surface comes alive with white ripples as I plunge into its vast, cooling expanse. Half-imagining myself as some intrepid diver venturing into unknown depths, I feel the resistance of water as I waddle through the glistening pool towards the coach for another boring swimming lesson. Breathe in, arm strokes, feet paddle, breath out. I hate my Sundays as a boy.

I closed my eyes and repeated the movements until a dull heaviness set in, when everything starts to be pulled back, and suddenly I am awake from my dream. The cold pillow had slight trails of wetness, as if the dream had pulled back some of those forgotten swimming pool Sundays of my childhood.

Instead, they were tears shed for lost time.

There was a dull ache in my chest as I got out of the darkness to check the clock. It's four in the morning. I went to her room and ran my fingers down her forearms to feel the deep lines of labour on her skin. Her eyelids quiver, but she stays soundly asleep.

The smell of chlorine and those goggles we couldn't afford; they seemed so distant and unimportant now as I watched her sleep.

Monday, July 14, 2008

The language of love

You said you liked flowers, how they communicated romance and so much more.

I thought them to be cruelly transient and utterly extravagant. A stark reminder of things never meant to stand the passage of the ages.

You said I was romantically mute, sentimentally coarse, having denied myself the language of love.

I said I didn't need to defend myself here, because my love speaks in heartfelt strokes of gaze, touch and dependence. A munificent outpouring no flower could ever rival with its weak stem and brittle petals.

You said you were not privy to those gifts because I do not give them easily.

I asked if you wanted them, because an unfired arrow never hits its target, and asking never hurt anyone.

You said nothing.

Were you afraid of asking, or were you uninterested, I could never tell. To break the silence, I asked about your favorite flowers, about their appeal, their poetic connotations.

You told me that such choices are usually situational and quite frivolous, something a person like me could never understand without being oh-so-cynical about it.

I said I'll try.

For now, you said you're like a Camellia, the silent blossom of tea. Scentless, pining, and slightly sad.

Why should you feel that way, I asked.

You said it's because you could never replace that Hydrangea in my heart. A flower that draws its beauty from the soils around it. Acidic soils produce a blue hue, while alkaline soils produce vibrant pink and purple petals. When the soils are neutral, creamy white garlands crown the stalks. Always changing to suit the seasons, always exuberant, always beautiful. It was something you could never aspire to, not even for me, because that would break the stem of your soul. This was why you're always slightly sad and hopeful like the Camellia, you told me.

And then it was my turn to stay silent.

Wednesday, July 09, 2008

A quiet life



クラムボン / おだやかな暮らし

何から話せばいいんだろう
どこまで話をしたんだろう
何度も
繰り返しては
二人の恋は終わったの
それともまだ始まってもないの

欲しいものはおだやかな暮らし 
あたりまえの太い根を生やし 
好きな人のてのひらががすぐそこにある 
そんな毎日

何に怯えていたんだろう
何を許せなかったんだろう
何度も
繰り返しては
二人の恋は終わったの
それともまだ始まってもないの

欲しいものはおだやかな暮らし
朝にそそぐやわらかな日差し
好きな人のてのひらがすぐそこにある
そんな毎日


clammbon / a quiet life

I don't know what I should tell you first
I don't know what I've told you so far
I am thinking again and again
Are we finished?
Or did we even start?

What I want is just a quiet life rooted in the ordinary
A life with your hands close to me everyday

What was I afraid of?
What couldn't I forgive?
I am thinking again and again
Are we finished?
Or did we even start?

What I long for is just a bed of roses with the sun in the morning
A life with your hands close to me everyday

In your absence, film has become the new canvas of my life, marking perhaps a departure from things that are best left immortalized in a box of personal effects; past birthday cards, handwritten notes, a soft toy here and there, some loose jewelry, a few polaroids of us, and a photo album.

There are some pictures of you inside which I didn't like at all. They felt as if I clicked the shutter half-heartedly, like I didn't really mean to take your picture in the first place. Unsurprisingly, they turned out all dull, uninspiring and unflattering, and you wouldn't want to see them anyway. Then again, you might want to see them, because I've forgotten about them altogether, and so the scenery and memories might come across as refreshing for you.

But anyway, I was talking about film.

Now, in a capricious digital age, with instant feedback through LCD screens and virtually "free" memory on a DSLR, a film camera is a bewildering prospect for many. Perhaps returning to a nostalgic luddite phase (which partly accounts for the attraction to vinyl as my premier audio source a few years ago), film has slowed down my voracious shutter snapping habits, and made me rethink the art of composing a frame. The winding of film, the painstaking efforts to calibrate the exposure, the soft vibrations of the shutter, the anticipation as you send a roll out for developing, and the hit-and-miss wonder that accompanies the arrival of your first prints; it feels almost like becoming a proper photographer, as if a relationship with your photography is forged out of an analogue experience which the digital age deems to be archaic. Yes, it might be more expensive, but trust me on that feeling that hits you when you get that one print that tells you how all your efforts went a long way. To immortalize the infinite soul of one moment onto a piece of tangible print; that is the essence of film.

Actually, I lied about the photographs.

There was actually one I really enjoyed looking at time to time. We were in a cafe. You were across the table, with your hair bunned up, soft hands around that warm mug of chamomile tea, teary eyes to the side, somewhat deep in thought, or maybe distracted. I still can't quite remember what made you look away, why you teared, and how I managed to sneak that quick, unfocused shot of you. What I liked despite its imperfections, was how it captured that quiet moment where you allowed your emotions to run loose for a moment, before they were carefully collected, counted, and placed neatly back into that box you call a heart. If I could take that picture again, I would have asked you to look here, and you'd give me your innermost smile.

I would've used a film camera as well, because memories are not so easily deleted. Just like my dream of that quiet life we'll never share, now reduced to an afterthought as I pack up the last vestiges of us in my room.

It's still there somehow, but it's faded and soft like an old photograph.